Best Korean movies free online with English Subtitles | Bi Rain and Krystal.
Best romance movies Korea with eng sub. English full movies online for free. My lovely girl is the best romantic comedy Korean drama . In this movie, Bi Rain kiss Krytal
My Lovely Girl (내겐 너무 사랑스러운 그녀) is a 2014 South Korean television series starring Jung Ji-hoon (Rain) and Krystal Jung. Having the K-pop world as the backdrop, the drama tells the story of two pained individuals who find healing through music.
Lee Hyun-wook (Rain) is the CEO of a talent agency that scouts and trains idols. He is a brilliant composer-producer who appears cold and indifferent on the outside but is sensitive and kind-hearted. Hyun-wook lives in great difficulty as he unable to let go of his ex girlfriend who died in an accident he witnesses first hand 3 years ago. Soon his ex-girlfriend's sister, Yoon Se-na (Krystal), moves to Seoul in order to pursue her music-composing career and meets Hyun-wook who helps her achieve it. Hyun-wook replaces his father (Park Yeong-gyu) as the president of ANA Entertainment, which brings him challenges and conflict between his career as a president, their trainees, company promotions, his love life and Se-na. In the midst of healing each other through music, they fall in love.
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▶ Cast: Hwang Seon-hwa, Lee Eun-mi-I, Ryoo Ah-jin ,...
▶ Synopsis: High school friends Joo-yeon, So-jin, Hyeon-mi and Seon-hee have been close since they were young but don’t pour their hearts out to each other. Joo-yeon is an office girl, So-jin has been taking the bar exam for 4 years, Hyeon-mi was born to be solo and Seon-hee who is out of reach one day receive a picture of a rose and get together for the first time in a while. They say the plates break when three girls gather at once. Seon-hee isn’t there yet but Joo-yeon, So-jin and Hyeon-mi released the vanity they’d kept inside for so long.
Joo-yeon started off with her expensive bag. “I bet none of you have done it with a 20 year-old full of energy” she shows off about her 12 years younger part timer boyfriend who she is secretly dating at the office. She claims they eat fast food sometimes because he’s not an experienced man yet but making love is fantasy itself and he goes over the usual man’s average of 30 minutes and lasts up to 3 hours.
So-jin, who has spent an impoverished life for 4 years preparing for her bar exam, exaggerates and says, “I spoke to my boyfriend the other day and he said I should just bring myself to him.” Her boyfriend is the CEO of a venture business who lives in a penthouse that has a swimming pool but he claims he’s not the son of a wealthy family. She claimed that she got his propose and that she didn’t need to prepare anything so she was wondering what to do.
Hyeon-mi felt jealous although she’d been solo since she was born so she butted in. “It’s stressing not being able to reveal who you are dating. I think he feels it too so he’s so good to me.” She had gone to a filming site for a favor and who does she meet but the greatest Hallyu star Jang Woo-joon. She says they share love in motels outside of the city and doesn’t mind videotaping their love-making to make up for the short time they have. She stresses that they had to break up as they could never be official or public and the three of them forget about Seon-hee.
Is there no end to women’s gossip? Then they start talking about Seon-hee who isn’t there yet. She was always isolated from everyone because she was uglier. No one knew what had happened to her for a while and she couldn’t be contacted. Then a completely different Seon-hee appeared in front of them. She’s prepared an extremely strong punch for them. What is her vanity story going to be about?
itle: Janus: Two Faces of Desire AKA: 야누스: 욕망의 두 얼굴 (ya-nu-seu: tok-mag-seui du wol-gul) Genre: •Melodrama •Mystery •Romance •Thriller Director: Son Yeong-ho (손영호) Country: South Korea The dirty desire in her is unveiling! Department of Dance student Da-hee (Oh In-hye) is a born solo who has never had a boyfriend before. However, she has nightmares every night. She dreams about violent sex every night. What she would never ever imagine even in her dreams is bothering her in reality and she cannot share this with anyone. In addition, the new performance projector is her long-time crush, professor and Woo-kyeong’s husband Gong-woo (Chris Jo) and it’s making her suffer. In the end, Da-hee goes through therapy and finds out she’s suffering from a trauma she’s had when she was a kid. Then she stumbles upon Myeong-joong, a Tantra yoga instructor online…
The film begins when two North Korean soldiers are killed in the DMZ at a North Korean border house, before Sergeant Lee Soo-hyeok (Lee Byung-hun), a South Korean soldier on border duties, attempts to flee back to the South Korean side. The southern troops rescue him while the gunfire erupts and, two days later, the fragile relationship between the two Koreas now relies on a special investigation conducted by Swiss Army Major Sophie E. Jean (Lee Young-ae) on behalf of the Neutral Nations Supervisory Commission.
As Sergeant Lee Soo-hyeok has confessed to the shootings, Sophie investigates why the two Koreas have contradicting accounts of events; Soo-hyeok's states he was knocked out and kidnapped while relieving himself and, waking tied up in the North Korean border house, secretly freed himself and shot three North Korean soldiers, leaving two dead. However, when asking the North Korean survivor, Sergeant Oh Kyeong-pil (Song Kang-ho), he states Soo-Hyeok barged into the border house and shot everyone before retreating when the wounded Kyeong-pil returned fire.
The autopsy report shows that one soldier, Jeong Woo-jin (Shin Ha-kyun), was shot eight times repeatedly, indicating a grudge was held; additionally, a single bullet is not accounted for. Over the course of the investigation, witness Private First Class Nam Sung-shik (Kim Tae-woo) attempts suicide by jumping out of the window of the interrogation room, and Sophie deduces that he, along with the surviving soldiers and Woo-jin, held a mutual friendship.
Explained through flashbacks it is shown that Soo-hyeok was on patrol with other soldiers, only to get lost on the North Korean side and to partially trip a mine; found by Kyeong-pil and Woo-jin, the two deactivate the mine, which later prompts Soo-hyeok to throw written messages over the border to maintain contact. Eventually inviting Soo-hyeok across the border, the three become a group of friends that soon includes Sung-shik, with the four agreeing to leave politics out of their friendship so to remain loyal to their own country.
As tensions rise between the North and South, Soo-hyeok and Sung-shik return to the North to say goodbye and celebrate Woo-jin's birthday, only to be discovered by a commanding officer from the North and resulting in a Mexican Standoff. Despite Woo-jin panicking and betraying his friends, Kyeong-pil convinces Woo-jin, Soo-hyeok and the officer to lower their weapons, only for Sung-shik to panic and shoot the commanding officer when he reaches for his radio; when Woo-jin draws his gun again, Sung-shik kills him, before shooting his corpse several times out of anger. Kyeong-pil persuades Sung-shik to lay down the gun and for the two to flee with a false alibi of being kidnapped, before throwing away the evidence that he and Woo-jin were fraternizing with Southern soldiers. After shooting Kyeong-pil to complete his alibi, Sung-shik and Soo-hyeok flee across the border, with the former getting past unseen; since Soo-hyeok has a wounded leg from the firefight, he is the only soldier seen.
Sophie, now discharged as her father was discovered to have North Korean ties during Korean War and thus making her non-neutral, unofficially confirms events with Kyeong-pil and then Soo-hyeok; she finds that the missing bullet was lodged in the evidence thrown away by Kyeong-pil, but cannot figure out who really shot Woo-jin due to a remaining inconsistency in their stories. Sophie hugs Soo-hyeok and wishes him well, only for Soo-hyeok to steal an officer's pistol before committing suicide. It is revealed Soo-hyeok shot Woo-jin, and he committed suicide out of guilt for Woo-jin's death and Sung-shik's suicide attempt. The film concludes with a photograph of the joint security area that accidentally contains all four soldiers.
The film opens with Lee Sang-woo (Yoo Ji-tae) chasing down his grandmother (Park Sung-hee), who suffers from dementia and has a compulsion to go to the train station to wait for her late husband, a conductor, to get off of work. Sang-woo lives with her and his father (Park In-hwan), with frequent visits from his aunt (Shin Shin-ae), and the whole family makes it known that they believe it’s time for him to get married. This is a topic he avoids.
Sang-woo works as a recording engineer and he is sent by his studio to help a radio show producer in Gangwon Province, Han Eun-soo (Lee Young-ae), record nature sounds for her show. Despite some immediate miscommunication, Eun-soo finds Sang-woo attractive enough to start a relationship with him. However, the divorced Eun-soo becomes uncomfortable with the naive Sang-woo’s increasing seriousness with their relationship and we watch as fear and reluctance break them apart.
The story is actually fairly simple and many of the scenes in One Fine Spring Day are more demonstrative than built upon conflict, so that it remains compelling is quite surprising. However, upon examination, the reason why the film works so well despite its simple plot is that the characters are actually realized at considerable depth and the conflicts they have with each other, as well as internally, are built upon this characterization.
For example, the fact that Sang-woo has a supportive family and their pressuring him to marry plays into the way he relates to Eun-soo, especially in his willingness to become more serious. Meanwhile, Eun-soo’s lack of close family or friends, as well as her status as a (probably older) divorcee informs her reluctance and hesitation with Sang-woo once Sang-woo gets serious. But this also affects her ephemeral playing with idea of commitment, like in a scene when she spots a couple burial mounds in the countryside and notes to Sang-woo that it would be nice to be buried together with him like that.
This is of course further helped by the performances. Yoo Ji-tae’s warm, boyish looks are perfectly fit for Sang-woo’s naive nice-guy and it is perhaps one of the most appropriate roles I’ve seen him cast in. In contrast, Lee Young-ae manages to carry layers of hurt even behind her smiles and plays the more experienced Eun-soo well, the two of them together having surprisingly excellent chemistry, both in romance and in conflict.
The real star of the show, however, is Hur. With his cinematographer, Kim Hyung-koo, Hur puts together a series of immersive mise-en-scènes for Sang-woo and Eun-soo to inhabit. Early scenes of the pair in a bamboo forest and a temple never exude overt romanticism, but in their sheer observation of nature and thoughtful composition, convey the kind of sensory beauty under which two people might find themselves feeling romantic.
Furthermore, with Sang-woo and Eun-soo in the business of recording sound, it only makes sense that One Fine Spring Day feature some impressive sound design and it does. With so many moments of the two would-be, then actual lovers listening to the sounds of nature and civilization, the film makes it easy to get caught up with them as well as the little moments when they listen to each other in recording. The only detraction that I can point to in the final mix is the score. With so much beauty in the sound design, when the acoustic guitar-based score intrudes into those moments of aural observation, it simply is distracting and almost appears heavy-handed in a film that could otherwise boast no such bluntness. It’s a jarring contrast.
The subtlety of the film might be demanding for audiences that need more immediate gratification, but with Hur’s nuanced and naturalistic observation of romance and its dissolution, it’s easy to transcend the need for typical plot points to move you along. As One Fine Spring Day demonstrates, demonstrates, the series of moments that linger in our memories–whether memories of love or hurt–and what drives those moments in the characters are story enough. In that sense, One Fine Spring Day, through its thoughtful play of backstory and observation, manages an atypically compelling tale.
And perhaps that’s what Korean film critics were noticing when they gave One Fine Spring Day a handful of awards the following year. That’s not to say that the film is for everyone: like Christmas in August, One Fine Spring Day does move slowly and is content to work within the boundaries of subtle storytelling. Attentive and patient viewers will be able to get the most from this film, but because of the subject matter, I think anyone with a history of heartache might find something in One Fine Spring Day to appreciate. Or just watch for the enchanting direction and sound design. 9/10.
Note: While not as popular as its predecessor, One Fine Spring Day, did manage to get home video releases in Korea, Japan, Hong Kong and some Southeast Asian countries. Of these, it appears that Korean, Japanese and Thai releases are still widely available, with the Korean edition boasting a Blu Ray version.
Hyang, a student abroad in the States, remained in Algeria which doesn't have diplomatic relationship with Korea because she is falsely charged for smuggling when she was travelling the Sahara. When she called upon the police, Hyang meets an oriental man who she encountered in the hotel by chance. He is Han Seung-Yeob, a North Korean diplomat who is called there due to the police's misunderstanding. Seung-Yeob sets Hyang at ease because she is nervous about whether she is given to North Korea. Also he asks the police for an air ticket to France by using bribery and introduces his only local friend Mohamed to Hyang. Then he leaves her. As 3 weeks passes, however, Hyang can't get the ticket so she gets to stay at Mano's house on the condition that she helps Mano's daughter in English lessons. Mano is the owner of a restaurant where Mohamed works. But as Mano tries to rape her, Hyang runs out of there. Without hope to go back to her home country, Hyang narrowly earns her daily bread working as a clerk of a souvenir shop when Seung-Yeob comes to her. Seung-Yeob tries to make her escape by using a smuggling car which crosses the border after he discusses with Mohamed.
A Christian musical procession waits outside a prison for Lee Geum-ja (Lee Young-ae), a recently reformed female prisoner, who had been convicted of murdering a young schoolboy, Won-mo. The case, a national sensation because of her young age at the time of the murder and innocent appearance, earns her a lengthy prison sentence, reduced because of her apparent spiritual transformation in prison and her good conduct toward other inmates, results in the nickname of the "Kind-Hearted Geum-Ja". As Lee Geum-ja emerges from prison, she immediately sidesteps the procession, intent on revenge.
Mr. Baek (Choi Min-sik) extorts the aid of Lee Geum-ja, who aided him in the kidnapping of the murdered five-year-old child. It is implied in the movie that she was not the one who committed the murder as she was not aware of the missing marble or the colour of the pillow that was used as the murder weapon. In a formal re-enactment of the crime scene she had to take a hint from the case detective to decide the correct colour pillow to use on a mannequin. Lee Geum-ja confesses to the crime by order of Mr. Baek, who kidnapped and threatened to murder her newborn daughter if she were to refuse to aid him. Inside prison, Geum-ja makes a number of friends with her angelic, maternal demeanour, donating a kidney to one inmate, tenderly caring for others and poisoning the prison bully. Once paroled, Geum-Ja immediately visits the other paroled inmates, calling in favours that include food, shelter, and weapons. She also begins work at a local pastry shop, under the tutelage of a chef who previously volunteered at the prison. Further distancing herself from her kindhearted reputation, she wears red eye shadow, provocative high-heel pumps and chronically dreams about murdering Mr. Baek.
Geum-ja researches her daughter and discovers that she was adopted by Australian parents. Jenny, now a teenager, does not speak Korean and does not initially embrace her mother. After persuading her family to allow her to return to Seoul from Sydney, Jenny follows Geum-ja around the city as she plans to kidnap Mr. Baek with the help of his wife, another ex-convict. As these events unfold, Mr. Baek, who is now a children's teacher at a local preschool, discovers that Geum-ja is released and - aware of her plans - attacks his wife and hires thugs to ambush Geum-ja and Jenny. In the ensuing battle, Geum-ja kills both thugs, while Mr. Baek falls unconscious from the drugs that were slipped into his food by his wife.
Geum-ja, eager yet hesitant to kill the unconscious Mr. Baek, discovers several children's trinkets decorating his cell phone. Remembering that his modus operandiinvolved stealing an orange marble from Won-Mo following his murder, Geum-ja realises that they are souvenirs from victims and deduces that Mr. Baek murdered other children as well. She imprisons him and contacts the detective from the Won-Mo case, and they infiltrate Mr. Baek's apartment together and discover snufftapes of the other children that Mr. Baek murdered.
Geum-ja and the detective contact and transport the parents or surviving relatives of the missing children to an abandoned school on the outskirts of Seoul. After showing them the tapes, the group deliberates on Mr. Baek's fate, ultimately deciding to murder him collectively, with the audio of their discussion amplified for him to hear. Wearing raincoats and wielding a variety of weapons, they approach Mr. Baek individually and torture him while the last person, an emotionless grandmother, kills Baek with the scissors of her murdered grand daughter. They take a group photo, ensuring that none of them can turn in the others without implicating themselves, and then bury the corpse outside.
Geum-ja, the investigator, and the parents all converge on Geum-ja's bakery, where they eat a cake and sing a collective birthday song for their deceased children. Afterwards, Geum-ja sees the ghost of the murdered child and demands long-awaited redemption. Before she can do so, he transforms into his grown self (the age that he would have been if he had lived) and then gags her before she can repent. When Geum-ja later approaches her apartment with a cake box, she notices Jenny. They embrace before Geum-ja opens the box to reveal a white cake that resembles a block of tofu. She instructs her daughter to "live white", as pure as tofu. Jenny tastes the cake and says Geum-ja should live even more purely. As they stare up into the snowy sky, Geum-ja weeps and sobs uncontrollably, her face buried in the white cake, while Jenny hugs her.
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My Lovely Girl (내겐 너무 사랑스러운 그녀) is a 2014 South Korean television series starring Jung Ji-hoon (Rain) and Krystal Jung. Having the K-pop world as the backdrop, the drama tells the story of two pained individuals who find healing through music.
